Architectural Genocide – Cordyceptic Anthropomorph (Comatose Music, 2020)

What is Architectural Genocide?  Is it when someone decides to round up a bunch of architects and off them en masse?  Is it when a group of buildings becomes sentient and decides to wipe out another group of buildings for no apparent reason?  I don’t have a fucking clue, but I do know that Houston, TX death metallers Architectural Genocide have a wicked good debut on their hands in the form of Cordyceptic Anthropomorph (whew, what a mouthful!) which was released back in mid-March by that ever-reliable bastion of brutality known as Comatose Music.

Interview: THE ASH EATERS

I must admit, I was late to the party on Brown Jenkins; I didn’t hear them until the inimitable Nathan T. Birk sent me a copy of Death Obsession while he was doing PR work for the once prominent black metal label Moribund Cult. I fell instantly in love with the band’s spellbinding attack, which blended elements of black metal, doom and gothic rock with an appropriately Lovecraftian sense of dread and crumbling sanity. I gave the album a glowing review for the now-defunct Sonic Frontiers(dot)net and subsequently came into contact with band mastermind Umesh Amtey. That correspondence blossomed into a friendship that I’ve had the pleasure of enjoying for several years now; although Amtey and I have never met in person, I consider him a close comrade and look forward to the day when we can raise our glasses together in the same room.

As a result of our friendship, I’ve had the distinct privilege of watching the next phase of Amtey’s musical journey come into being. The Ash Eaters shares some traits with Brown Jenkins, but is an all together different beast. The guitar-work is more complex, the arrangements are more frantic, attacking the listener from every direction, while at the same time remaining catchy and memorable; Amtey has drawn from a wide range of influences and pushed them forward in every way imaginable.

I’ve been waiting for my chance to interview Mr. Amtey, so when he finally gave Ruining You, the debut Ash Eaters full length, to the world after a string of shorter releases, I knew the time had finally come. While I’ve had many private conversations with him regarding his musical history, motivations, influences, etc, I wanted to afford my readers the same opportunity to learn more about this truly unique individual and the excellent music he’s been releasing over the past several years. I contacted Mr. Amtey via e-mail for the following interrogation.