Is this cassette shit getting out of hand?

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I first started covering the resurgence of the cassette tape early last year with a review of Blut Der Nacht’s demo and a mammoth piece on the various wares of the infamous Crepusculo Negro and Rhinocervs labels.  I instantly fell back in love with the format that had enchanted me in my younger years; I was once the proud owner of a big brown Fisher Price tape recorder which I would use to listen to music, interview family members and record skits with friends, eventually graduating to a boom box when I got older. Some of the first metal music I ever owned was on cassette (specifically a single of Metallica’s “One,” aka the song that kick-started this over two decade long love affair with all things heavy).  Granted, the ultra-corrosive black metal of a band like Blut Der Nacht was pretty far removed from jamming Michael Jackson’s Thriller on the Fisher Price in my youth, but I was still reminded of how my initial interest in music was sparked by cassettes.
Continue reading “Is this cassette shit getting out of hand?”

Backlit #1 out now!

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Another poison arrow in the heart of print is now unleashed…

http://backlitzine.com/1/

Backlit / 1
Early 2013
Now available at http://backlitzine.com/
Cover Art by Christian Edler

Articles, Columns & Interviews:
Frayed Threads of Vanity / Kyle Harcott
Worship Black Twilight / Jordan Campbell
Interview With Wreck & Reference / Josh Haun
Interview With Voivoid / Josh Haun
Midnight Ride of the Graveyard Mule / Jordan Campbell
Doomsday Device #2 / Josh Haun
Raping Angels in America #2 / Josh Haun
Libations in the Labyrinth Vol. 2 / Danhammer Obstkrieg
Beneath The Grime #1 / Jon Rosenthal
Progressive Regression / Jordan Campbell

Art & Fiction:
Perfume Virus / Jordan Krall
Interview with Christian Edler / Brandon Duncan & Philip Tyson

Staff:

Overlords:
Joshua Haun
Brandon Duncan

Contributing Writers:
Joshua Haun
Jordan Campbell
Dan Obstkrieg
Kyle Harcott
Jon Rosenthal

Copy Editor:
Dan Obstkrieg

Design:
Brandon Duncan
Philip Tyson
Spencer Walker

Odz Manouk – s/t (Profound Lore, 2012)

Earlier this year, I wrote a piece highlighting several releases by Crepusulo Negro and Rhinocervs, the two cassette labels associated with California’s Black Twilight Circle, a collective of bands creating some of the most unique and interesting music the contemporary black metal scene has to offer.  As much as I appreciate the DIY ethics and overall aesthetic of what CN and Rhinocervs are doing though, I’m also quite happy to see other labels such as Ajna, Hells Headbangers and Profound Lore stepping in to help spread this music beyond the limitations inherrent to the cassette format.  Folks shouldn’t have to scour their parents’ basements and local thriftstores for a working cassette deck (or even worse, have to deal with subpar MP3s) in order to experience this blackened excellence.
Continue reading “Odz Manouk – s/t (Profound Lore, 2012)”

Muknal – s/t (Crepusculo Negro, 2012)

The Black Twilight Circle/Crepusculo Negro collective of musicians have made some serious waves in the black metal community over the last few years.  But, one cannot live by black metal alone, as evidenced by this self-titled three track cassette from Muknal, a mysterious trio that one can only assume is comprised of the usual BTC suspects (although I have not been able to confirm this, perhaps some THKD readers can?).
Continue reading “Muknal – s/t (Crepusculo Negro, 2012)”

Worship Black Metal Cassettes: Scratching the surface of Crepusculo Negro and Rhinocervs.

In my review of Blut Der Nacht’s excellent Demo MMXI, I talked a little about the rise of cassette culture within the American black metal underground over the last few years.  Some see it as nostalgia, others see it as pure gimmickry.  I see it as a way to bring black metal back to its roots, a return to the DIY ethos, primitivism and shadowy mystique the genre was built upon.

The cassette is a cheap way of reproducing and distributing music.  I haven’t gone to the trouble of actually pricing tape production and duplication (maybe some readers can shed light on that in the comments?), but I can guarantee that it is much more cost-effective than having CDs and especially vinyl pressed.  In this respect, it is the perfect format for bands that have no interest in dealing with Heavy Metal Inc, and although black metal has long since been absorbed into the establishment, there’s no time like the present to take it back underground.  With that said, it should be noted that some cassette-based labels, specifically Crepusulo Negro and Rhinocervs (probably the two most infamous), have begun working with larger, more established labels such as Profound Lore and The Ajna Offensive to get some of their releases (Dolorvotre, Tukaaria, Odz Manouk) on CD, but this is surely due more to outside interest and demand.  These cassette releases are cheap to purchase (typically $5 – $8) and are often extremely limited, selling out in a matter of days or even hours, and therefore not always readily available.  Also, no matter how much metal fans might want to hear this stuff, many are unwilling to embrace the cassette due to its supposed limitations.  This need for wider distribution and other formats is a consequence of releasing great music that people want to hear, and it’s much better than forcing fans to go scouring the internet for often janky downloads of these sold out releases.  Of course, the fact that the music is being released on a format which many find unacceptable only adds to the clandestine nature of these bands and the music they create, and in my mind a little of that mystique dies every time I hear about this stuff coming out on CD or even vinyl.  Nonetheless, what these bands are creating is some of the most compelling modern black metal I’ve heard in years (much more on this later), and deserves to be heard and made widely available.
Continue reading “Worship Black Metal Cassettes: Scratching the surface of Crepusculo Negro and Rhinocervs.”